![]() Membership is limited to cartoonists whose work has not appeared in the magazine in 30 or more years. That is, their work appeared just once in The New Yorker. As above, The New Yorker’s library has in some cases supplied, and/or confirmed information.Įntries in red with this icon attachedare members of the One Club. I’ve also relied on biographical information from individual websites operated by cartoonists. deYoung Memorial Museum, 1943) The World Encyclopedia of Cartoons (Chelsea House, 1980), The Best Cartoons of The Year 1943, Crown Publishers, 1943), The National Cartoonists Society Album 1996 ( NCS, 1996). Among the most helpful: Colliers Collects Its Wits (Harcourt, Brace & Co., 1941), Meet The Artist (M.H. Other sources include obituaries in The New York Times ( and elsewhere), and numerous cartoon anthologies which contain biographical information. ![]() The New Yorker’s library has also supplied information, and/or confirmation.įor biographical information: In many cases the cartoonists themselves have supplied this information to me. ![]() In some cases, the cartoonists themselves have supplied the date. The A-Z has slowly started to add these folks.įor dates of when a cartoonist began (and where it applies, ceased) contributing to The New Yorker, I’ve cross checked dates using the discs accompanying The Complete Cartoons of The New Yorker, the discs accompanying The Complete New Yorker, The search feature on the ’s site, and where applicable, obituaries, usually in The New York Times. and then there are cover artists who’ve remained strictly cover artists. Additions, corrections, advice always welcome.Īs many of you know, sometimes New Yorker cartoonists are also New Yorker cover artists (Charles Saxon is an example), and the reverse is true: sometimes cover artists have contributed cartoons (Arthur Getz is an example). A complete list is likely impossible as The New Yorker itself has not been able to identify a number of early contributors.Įach name carries some bare-bones biographical information (if available), indicating when a cartoonist began contributing to the magazine (and, when it applies, when their contributions came to an end). The British Library holds a complete run of The Sketch.What follows is a work in progress - it isn’t a complete list of The New Yorker’s cartoonists, and probably never will be. Keble Howard, editor until 1905, continued to contribute a column titled Motley Notes until two-weeks prior to his death, his final piece appearing on 14 March 1928. Writers included Carleton Allen, Lucie Armstrong, Nora Hopper, William Robertson Nicoll and John Courtenay Trewin. Heath Robinson, Josep Segrelles, Sidney Sime, Olive Snell, Bert Thomas, and Thomas Downey. Bateman, Max Beerbohm, Edmund Blampied, Percy Venner Bradshaw (1877–1965), Thomas Arthur Browne, Hilda Cowham, Annie Fish, John Hargrave, John Hassall, Phil May, Bernard Partridge, Melton Prior, W. The Sketch printed photographs by Howard Coster, and illustrations by H. Christie dedicated the 1953 novel A Pocket Full of Rye to Ingram. Altogether, Christie wrote 49 stories for The Sketch between 19 (just under a third of her total output of short stories) which were later collected into some or all of the contents of the volumes Poirot Investigates (1924), The Big Four (1927), Partners in Crime (1929), Poirot's Early Cases (1974), and While the Light Lasts and Other Stories (1997). Under the editorship of Bruce Ingram, it was also the first magazine to publish short stories by Agatha Christie, starting with " The Affair at the Victory Ball" in issue 1571 on 7 March 1923. It featured series of short stories within its pages, one per issue, with authors such as Walter de la Mare and Algernon Blackwood. The magazine is remembered for first publishing the illustrations of Bonzo the dog by George E. Bruce Ingram was editor from 1905 to 1946. Shorter was the first editor, from 1893 to 1900, succeeded by John Latey (until his death in 1902) and then Keble Howard. ![]() It had a high photographic content with many studies of society ladies and their children as well as regular layouts of point to point racing meetings and similar events.Ĭlement Shorter and William Ingram started The Sketch in 1893. It was published by the Illustrated London News Company and was primarily a society magazine with regular features on royalty, aristocracy and high society, as well as theatre, cinema and the arts. It ran for 2,989 issues between 1 February 1893 and 17 June 1959. The Sketch was a British illustrated weekly journal. For the newspaper published from 1909 to 1971, see The Daily Sketch. This article is about the magazine published from 1893 to 1959.
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